Street life
Even after Christmas, are you perpetually acquisitive? Hungry for gingerbread? Too lazy to actually read signs at the grocery store? Then hurry to a farmer's market where you might still find criers. At Detroit's Eastern Market, sellers of local and imported goods hawk their wares six days a week. Their yelps ricochet off the arcade roofs: "Cucumbers, dollar a box!" "Apple...ci-derrrr." Other criers stand outside old-time delis, nut shops, and barbecue restaurants in the buildings circling the marketplace. On a nearby pedestrian bridge, vendors of African imports shout about "Fresh shea butter!"
(Photos of Detroit: copyright Patricia Haller, from the beautiful Downtown Detroit Partnership photo gallery; and from the Eastern Market site.)
In previous centuries, in urban areas, it was more frequent to hear vendors shout -- or cry -- to communicate their merchandise and prices to anyone in earshot. Imagine your fishmonger singing "New cod, new!" Such repetitive bellows were catchier than today's televised commercial jingles: some cries inspired poems and folk songs. A few criers were immortalized by artists:
Proud greens-woman in
17th-century Paris: "Ma belle poiree mes beaus epinars." (Photos of Detroit: copyright Patricia Haller, from the beautiful Downtown Detroit Partnership photo gallery; and from the Eastern Market site.)
In previous centuries, in urban areas, it was more frequent to hear vendors shout -- or cry -- to communicate their merchandise and prices to anyone in earshot. Imagine your fishmonger singing "New cod, new!" Such repetitive bellows were catchier than today's televised commercial jingles: some cries inspired poems and folk songs. A few criers were immortalized by artists:
A menacing man hawks plush toys made from Dutch wool in early 19th c. London.
Selling pins in London during the 18th Century.
17th-century Paris milk seller: "Qui veul de bon lai?"
The French images are from the book Les rues et les cris de Paris, which includes a poem in Old French about medieval Paris's soundscape:
[...] L'autres crie : gastiaus rastis, Je les aporte toz fetis,
Chaudes tartes et siminiaus.
L'autres crie : chapiaus, chapiaus.
Gastel a feve orroiz crier,
Charbon le sac por i denier. [...]
One nighttime cry from London in the middle of the 17th Century granted safety and warmth:
Well to your lock. Your fire
And your light. And god
Give you good night. At
One a clock.
That cry is immortalized on a large woodcut depicting dozens of criers. It's in a folio in the British Museum and is quoted, but not reproduced, by Andrew White Tuer in Old London Street Cries, and the Cries of to-day: with heaps of quaint cuts including hand-coloured frontispiece. 1885. Text online via University of Wisconsin Digital Collection: History Collection.
A curiosity: playing cards circa 1754 depicting types of criers instead of the usual kings and queens. From "The World of Playing Cards" site:
A curiosity: playing cards circa 1754 depicting types of criers instead of the usual kings and queens. From "The World of Playing Cards" site:
Comments
I may not be wearing a smock, but I've looked to my lock, and so hope to sleep well tonight.
I love these cards - little bits of art and history that you can hold in your hands.
Mr Stein - the broadside on Flickr is really fabulous. I love skeletons but never thought that they resonated with early English folk...why do Mexicans and Italians have a corner on the market?