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    <updated>2008-07-23T00:40:20Z</updated>

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    <entry>
        <title>Buckminister Fuller&#39;s Projection Map</title>
    
    
    
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                <id>tag:vox.com,2008-07-22:asset-6a00c225286a34f21900fa9689eada0002</id>
        <published>2008-07-22T20:57:26Z</published>
        <updated>2008-07-23T00:40:20Z</updated>
    
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<blockquote><p><span style="color: #373e76">&quot;</span><strong><span style="color: #373e76; font-size: 1.25em;">The Dymaxion Map is the only flat map of the entire surface of the earth that reveals our planet as it really is: an island, in one ocean, without any visible distortion of the relative shapes and sizes of the land areas, and without splitting any continents.</span></strong><span style="color: #373e76"></p><p>All [other] flat world map representations of the spherical globe contain some amount of distortion either in shape, area, distance or direction measurements. On the well-known Mercator world map, Greenland appears to be three times its relative globe size and Antarctica appears as a long thin white strip along the bottom edge of the map. Even the popular Robinson Projection, now used in many schools, still contains a large amount of area distortion with Greenland appearing 60 percent larger than its relative globe size.</p><p>The map projection used for this map, also know as the &quot;Dymaxion Map,&quot; was created by R. Buckminster Fuller, distinguished mathematician, inventor and 20th century visionary.&quot;</span><br /></p></blockquote><p><br />- the <a href="http://www.bfi.org/node/25">Buckminister Fuller Institute</a><br /> </p>
        
    
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    <entry>
        <title>&quot;An exciting but penniless Spanish artist&quot;</title>
    
    
    
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                        <id>tag:vox.com,2008-07-22:asset-6a00c225286a34f21900fa968a89a90003</id>
        <published>2008-07-22T19:21:07Z</published>
        <updated>2008-07-23T07:27:04Z</updated>
    
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            <p>R.I.P. <a href="http://www.nytimes.com/aponline/arts/AP-Obit-Getty.html">Estelle Getty</a> and her exquisite sense of timing:
    
    
    





        






    
    
    





        






    
    
    





        






    
    
    





        





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    <entry>
        <title>Seven blunders</title>
    
    
    
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                        <id>tag:vox.com,2008-07-22:asset-6a00c225286a34f21900fa9689dd690002</id>
        <published>2008-07-22T17:12:09Z</published>
        <updated>2008-07-23T21:34:45Z</updated>
    
        <author>
            <name>Iris</name>
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            <blockquote><p>In human society, all violence can be traced back to these seven recurrent blunders: <br />wealth without work, <br />pleasure without conscience, <br />knowledge without character, <br />commerce without morality, <br />science without humanity, <br />worship without sacrifice, and <br />politics without principles.<br /></p></blockquote><p><br />–Mohandas K. Gandhi, &quot;Young India,&quot; Oct. 22, 1925. <br />Reproduced in <em>Collected Works</em>, vol. 33, p. 135. Cited in <a href="http://harpers.org/archive/2007/10/hbc-90001409">Harper&#39;s</a>.<br />&#160;<br />
    
    
    

    
    
    
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&quot;The brightest areas of the Earth are the most urbanized, but not necessarily the most populated. (Compare western Europe with China and India.) Cities tend to grow along coastlines and transportation networks. Even without the underlying map, the outlines of many continents would still be visible. The United States interstate highway system appears as a lattice connecting the brighter dots of city centers. In Russia, the Trans-Siberian railroad is a thin line stretching from Moscow through the center of Asia to Vladivostok. The Nile River, from the Aswan Dam to the Mediterranean Sea, is another bright thread through an otherwise dark region.&quot;</p><p>-- <a href="http://visibleearth.nasa.gov/view_rec.php?id=1438">Visible Earth: &quot;Earth&#39;s City Lights&quot;</a>

</p><p>The <a href="http://visibleearth.nasa.gov/">Visible Earth Project</a>&#39;s image catalog ranges from familiar high-resolution satellite photographs to less orthodox imagery. NASA&#39;s satellites and sensors record waves -- heat, light or sound -- and they can be converted into an image of earthly activity. In this case, Marc Imhoff of NASA GSFC and Christopher Elvidge of NOAA NGDC used a meterological satellite system to study permanent lights, and Craig Mayhew and Robert Simmon of NASA GSFC made it visual.</p>
        
    
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    </entry>

    
    <entry>
        <title>Stop-motion pasta</title>
    
    
    
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                        <id>tag:vox.com,2008-07-16:asset-6a00c225286a34f21900fa9688a9890003</id>
        <published>2008-07-16T20:32:22Z</published>
        <updated>2008-07-23T18:58:57Z</updated>
    
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            <p>I. <br />Making dinner, from a new collection of animated short films:</p>
    
    
    





        






    
    
    





        






    
    
    





        






    
    
    





        





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<p></p><p>II. Food of a summer night</p><p>Requirements:<br />penne<br />cherry tomatoes<br />garlic<br />olive oil<br />mascarpone cheese<br />basil (shredded fresh leaves, or dried), salt and pepper</p><p>1. Heat a pot of water; boil penne until al dente, approx. 8-10 minutes. Drain the water.<br />2. Blanch, peel and halve cherry tomatoes (1 handful per serving):<br />- Drop tomatoes into simmering water for 10-15 seconds.<br />- Remove tomatoes from water with a slotted spoon. Pop the skin off of each one.<br />- Slice each tomato in half.<br />3. Mince garlic (1-2 cloves per serving). <br />4. In a pan, sauté the garlic in olive oil over medium heat for about 40 seconds, then add the tomato halves.<br />5. Once the tomatoes are soft, stir in a dollop of mascarpone. Mix in basil, salt and pepper to taste, then add the pasta.<br /></p>
        
    
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    <entry>
        <title>Some girls</title>
    
    
    
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                        <id>tag:vox.com,2008-07-14:asset-6a00c225286a34f21900fa96877a4d0002</id>
        <published>2008-07-14T21:51:00Z</published>
        <updated>2008-07-14T22:00:21Z</updated>
    
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            <p>Germans in Paris, in the quartier Saint-Paul:<br />
    
    
    

    
    
    
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    <entry>
        <title>Le 14 juillet (July 14th)</title>
    
    
    
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                        <id>tag:vox.com,2008-07-14:asset-6a00c225286a34f21900fad699972e0005</id>
        <published>2008-07-14T15:21:43Z</published>
        <updated>2008-07-14T22:25:25Z</updated>
    
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    <entry>
        <title>Le quatorze juillet, la fête de la Bastille</title>
    
    
    
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                        <id>tag:vox.com,2008-07-13:asset-6a00c225286a34f21900fae8cbb9f5000b</id>
        <published>2008-07-14T13:21:18Z</published>
        <updated>2008-07-14T15:17:23Z</updated>
    
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<p><br /><em><br />Vous aimez le </em><a href="http://en.wikipedia.org/wiki/Flash_mob">flash-mob</a><em>, mes amis</em>? </p><p>219 years ago, a makeshift army of French citizens stormed the Bastille prison. The Bastille was a symbol of the monarchy, torn down in reaction to King&#39;s disinterest in the peoples&#39; supply of flour (to make bread) and their financial straits (to buy bread). On July 14th, Paris masses liberated the half-dozen men inside the old Paris prison. Within a day the prison was destroyed, barely standing; savvy onlookers grabbed pieces of rubble to sell as souvenirs. Meanwhile, politicians gathered at Versailles and <a href="http://en.wikipedia.org/wiki/Tennis_Court_Oath">prepared</a> a National Assembly to replace Louis XVI&#39;s monarchy.<br />&#160;<br />To celebrate their national holiday, French cities host grand military parades, and government leaders sing praises of the army. Yet if the military been strong back in the 18th Century, the Bastille wouldn&#39;t have been liberated and the revolution would have been even bloodier.<br />&#160;<br />I like to think that the French embrace the contradiction of their July 14th holiday ritual.<br />&#160;<br />
    
    
    

    
    
    

    
    
    

    
    
    

    
    
    
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<br />I also like to think that the French first lady, Carla Bruni, might consider a similarly subversive political gesture, not to commemorate the past but to change the future on a case by case basis. What if she used her painstakingly premeditated wiles to correct France&#39;s sometimes brutal justice system, one convict at a time? <br /><div at:enclosure="asset" at:xid="6a00c225286a34f21900fad6998e5d0005 6a00c225286a34f21900fae8cbe78c000b" at:format="strip-horizontal" at:align="center" class="enclosure enclosure-center enclosure-strip enclosure-strip-horizontal"  style="text-align: center;">
<div class="enclosure-inner" style=" margin: 5px; border: 1px solid; text-align: center;"><a href="http://irisiris.vox.com/library/photo/6a00c225286a34f21900fad6998e5d0005.html" class="enclosure-strip-link" title="Carla Bruni"><img src="http://a5.vox.com/6a00c225286a34f21900fad6998e5d0005-120pi" alt="Carla Bruni" class="enclosure-strip-image" style="margin: 5px; border: 0;" /></a><a href="http://irisiris.vox.com/library/photo/6a00c225286a34f21900fae8cbe78c000b.html" class="enclosure-strip-link" title="Barbara biography"><img src="http://a4.vox.com/6a00c225286a34f21900fae8cbe78c000b-120pi" alt="Barbara biography" class="enclosure-strip-image" style="margin: 5px; border: 0;" /></a></div>
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 <br />She could take a cue from one of the greatest French singers, Barbara (1930-1997). Barbara toured with Gainsbourg, rivalled Jacques Brel, and finessed tongue-tripping lyrics. In this clever tune, she takes the point of view of a French president&#39;s wife, and she proffers flirtation as a complement to the penal code:</p>
    
    
    





        






    
    
    





        






    
    
    





        






    
    
    





        






    
    
    





        






    
    
    





        






    
    
    





        






    
    
    





        






    
    
    





        





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                <div class="enclosure-asset-name"><a href="http://irisiris.vox.com/library/audio/6a00c225286a34f21900fa968778510003.html" title="&quot;Si la photo est bonne&quot;">&quot;Si la photo est bonne&quot;</a></div>
                <div class="enclosure-asset-subtitle overflow-hidden">Barbara</div>
            
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<p><br />&#160;<br />Si la photo est bonne,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; If it is a good photo<br />Juste en deuxième colonne,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; There, in the second column,<br />Y a le voyou du jour,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; Then the hoodlum of the day<br />Qui a une petite gueule d&#39;amour,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; Has a sweet little face;<br />Dans la rubrique du vice,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; In the &quot;Vice&quot; column<br />Y a l&#39;assassin de service,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; The assassin for hire<br />Qui n&#39;a pas du tout l&#39;air méchant,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; Doesn&#39;t seem at all menacing,<br />Qui a plutôt l&#39;œil intéressant,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; He has a rather fetching gaze;<br />Coupable ou non coupable,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; Guilty or not guilty<br />S&#39;il doit se mettre à table,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; If he must confess<br />Que j&#39;aimerais qu&#39;il vienne,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; How I&#39;d like him to come and<br />Pour se mettre à la mienne,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; Confess at my dinner table.<br />&#160;<br />Si la photo est bonne,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; If it is a good photo<br />Il est bien de sa personne,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; If it’s really of him<br />N&#39;a pas plus l&#39;air d&#39;un assassin,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; Then he looks no more like an assassin<br />Que le fils de mon voisin,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; Than my neighbor’s son<br />Ce gibier de potence,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; This gallows bird<br />Pas sorti de l&#39;enfance,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; Not yet grown up<br />Va faire sa dernière prière,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; He’ll kneel for his last prayer<br />Pour avoir trop aimé sa mère,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; He was a mamma’s boy like that<br />Bref, on va prendre un malheureux,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; In short, they’re going to take a poor fellow<br />Qui avait le cœur trop généreux,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; Whose heart was too kind<br />Moi qui suis femme de président,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; And I, who am the president’s wife,<br />J&#39;en ai pas moins de cœur pour autant,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; I, too, have too kind a heart<br />De voir tomber des têtes,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; To these heads fall;<br />A la fin, ça m&#39;embête,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; That bothers me, really.<br />Et mon mari, le président,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; And my husband, the president,<br />Qui m&#39;aime bien, qui m&#39;aime tant,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; Who loves me well, who loves me much<br />Quand j&#39;ai le cœur qui flanche,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; When my heart bleeds<br />Tripote la balance,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; He tips the scales.<br />&#160;<br />Si la photo est bonne,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; If it is a good photo<br />Qu&#39;on m&#39;amène ce jeune homme,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; Then bring me this young man<br />Ce fils de rien, ce tout et pire,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; This lowly son, this riffraff<br />Cette crapule au doux sourire,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; This rascal with a sweet smile<br />Ce grand gars au cœur tendre,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; This big boy with a tender heart<br />Qu&#39;on n&#39;a pas su comprendre,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; Who couldn&#39;t understand<br />Je sens que je vais le conduire,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; &#160; &#160; &#160; &#160; &#160; &#160; I sense I shall lead him<br />Sur le chemin du repentir,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; On the path of repentance<br />Pour l&#39;avenir de la France,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; For the future of France<br />Contre la délinquance,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; Against delinquence<br />C&#39;est bon, je fais le premier geste,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; Very well, I&#39;ll make the first move<br />Que la justice fasse le reste,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; Let justice do the rest<br />&#160;<br />Surtout qu&#39;il soit fidèle,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; Above all, make sure that his face,<br />Surtout, je vous rappelle,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; Above all, I remind you,<br />A l&#39;image de son portrait,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; is just like his headshot<br />Qu&#39;ils se ressemblent trait pour trait,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; He must resemble it eye for eye<br />C&#39;est mon ultime condition,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; It&#39;s my final condition<br />Pour lui accorder mon pardon,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; To grant him my pardon<br />Qu&#39;on m&#39;amène ce jeune homme,&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; Bring me this young man<br />Si la photo est bonne... &#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160;&#160; If the photo is good...</p><p><br />
    
    
    

    
    
    

    
    
    

    
    
    
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    <category term="france" scheme="http://irisiris.vox.com/tags/france/" label="france" />
    
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    </entry>

    
    <entry>
        <title>Flash-forward to Paris in autumn</title>
    
    
    
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                        <id>tag:vox.com,2008-07-12:asset-6a00c225286a34f2190100a7e7d736000e</id>
        <published>2008-07-12T19:55:47Z</published>
        <updated>2008-07-12T20:12:02Z</updated>
    
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            <name>Iris</name>
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    </entry>

    
    <entry>
        <title>Tiger hunt</title>
    
    
    
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                        <id>tag:vox.com,2008-07-10:asset-6a00c225286a34f21900fae8cabb24000b</id>
        <published>2008-07-10T14:23:29Z</published>
        <updated>2008-07-14T22:01:43Z</updated>
    
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<p>

From the <em>Akbarnama</em>, an illustrated biography of Akbar the Great circa the late 16th Century.<br />Learn all about it via the <a href="http://vanda.london.museum/res_cons/conservation/journal/issue_24/akbarnama/index.html">Victoria and Albert Museum</a>.<br /></p>
        
    
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    </entry>

    
    <entry>
        <title>Getting to know you</title>
    
    
    
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                        <id>tag:vox.com,2008-06-17:asset-6a00c225286a34f21900fa967f4caf0002</id>
        <published>2008-07-09T23:42:23Z</published>
        <updated>2008-07-14T21:58:46Z</updated>
    
        <author>
            <name>Iris</name>
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            <p>Exhibitionism being the font of blogging, my acerbic yet jolly neighbor, <a href="http://eightysixfourhundred.vox.com/" class="enclosure-inline-user" at:enclosure="inline-user" at:user-xid="6p00c2251d92a98fdb" at:screen-name="W. B. Mook" at:delegate="people-connect" at:user-pic="http://up1.vox.com/6a00c2251d92a98fdb00e398b916e20001-75si" >W.B. Mook</a>, sent me these questions; I answered. Once upon a time, signor, I refused any form of revelation for fear of some future employer Googling and disagreeing with my review of &quot;Marie Antoinette;&quot; however, the current job market is such rot that all such inhibitions are blowing in the wind.</p><p><br />1) What was I doing 10 years ago?<br />July 1998: learning to drive, trading in high school for night classes at the university, dining like royalty thanks to my mother&#39;s gourmet intuition, making crazy-quilt-like diaries, reading Tom Robbins and Edith Wharton in a big brown leather armchair, watching &quot;L&#39;Atalante&quot; and &quot;Stealing Beauty&quot; after the sun set</p><p>2) What are 5 things on my to-do list for today?<br />Read 1/5 of &quot;Anna Karenina.&quot;<br />Surf the break of life, man<br />Send a birthday card to Aline, the wittiest card east of the Greenwich meridian.<br />Edit a friend&#39;s thesis introduction.<br />Supplement dinner with basil leaves, slices of fresh mozzarella and tomatoes.<br />
    
    
    

    
    
    

    
    
    

    
    
    

    
    
    
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</p><p>3) Snacks I enjoy:<br />Cinnamon and sugar on handmade pie crust<br />Beef jerky from the mountain hamlet of Lincoln, Montana (<a href="http://www.hicountry.com/">Hi-Country</a> is the name and they do web orders, merci bien!)<br />Parmesans and Roqueforts<br />Lychees, rambutans and mixed nuts from Asian grocery stores</p><p>4) Things I would do if I were a billionaire:<br />Help fund the International Committee of the Red Cross and buy some châteaux and vineyards as communal residences for the highly exclusive assembly of my closest acquaintances.</p><p>5) Places I have lived: <br />12 houses and apartments in Minnesota, France and Michigan. The most like home: a garden-ensconced house on a hill in the woods at the end of a long gravel driveway, and the current residence: a former residential hotel est. 1926 next to a big park at the foot of downtown.<br />
    
    
    

    
    
    

    
    
    

    
    
    

    
    
    
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</p><p>6) Jobs I have had: clerk, library aide, mortgage analyst, box office agent, student, language instructor, translator. The most recent jobs: envelope cutter, and now frenzied resume writer</p><p>7) Tagging: What fascination to hear from <a href="http://slowlearner.vox.com/">Slow Learner</a>, <a href="http://zox.vox.com/">Andy</a>, <a href="http://yoganaught.vox.com/">Yoganaught</a>, <a href="http://kgi.vox.com/">Kitty</a> and all other mysterious, reserved writers-- you know who you are.<br /></p>
        
    
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